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Portrait retouching workflow
Portrait retouching workflow






portrait retouching workflow
  1. #Portrait retouching workflow skin#
  2. #Portrait retouching workflow free#

They start at about $80 (USD) and last a long time. If you don't own a Wacom and you're doing retouching, then buy a pen tablet. I use a Wacom tablet for maximum control and flexibility, but this will work with a mouse, too. Now I've been through two tools you can use to remove errant hair, we'll go through some common settings. This can happen even if your brush is tiny. You can see what happens when the Healing Brush can do when it gets close to a high-contrast edge. In this case, the Clone Stamp tool may be better suited, adjust the brush's hardness to match the transition. You'll get a blurred bleed and it looks messy. Unfortunately, Healing Brush doesn't do well when the target area is too close to a hard line, like the edge of someone's head.

#Portrait retouching workflow skin#

I use it for hair that crosses the face or is on clothing so that I can be rid of it without losing the complexities of the skin or fabric.Īgain, you can use the Blend Modes to further refine your retouching. You can also use it to clean up mistakes Clone Stamp has made while preserving the texture. Use this tool for backgrounds that are a little more complex or textured.

portrait retouching workflow portrait retouching workflow

It works better than the cloning technique mainly because it isn't an exact copy, but smoothly blends the sample areas with the target's surroundings. The Healing Brush is great for removing blemishes, pimples, unwanted facial or body hair, sensor dust, etc. It then applies some math and seamlessly blends the two into something that looks natural. It copies the color, luminosity, and texture from the sampled area over to the target area. The Healing Brush is a more refined version of the Clone Stamp tool. It will leave the areas that already match untouched, so your corrections are only a couple pixels wide even if your brush size is many times larger. The effect stops once the hair reaches the same luminosity and color value as the sampled area. I use the Lighten, blend mode to retouch darker hair against a lighter background. I use the Darken blend mode to retouch lighter hair against a darker background. Using the other two modes can make my changes hair-thin. The Normal mode works most of the time, but sometimes it's too exacting and can be a problem with backgrounds that have a slight texture. You can refine your cloning and reduce problematic variations by using different Blend Modes for the brush. Even though I used a very small brush size, re-sampled repeatedly and closely, and used the Lighten blend mode, the Clone Stamp Tool couldn't handle the gradient. However, with evenly lit and evenly coloured backgrounds, the Clone Stamp is the perfect tool. Its main strength is also a weakness it copies exactly what you sample, which can be a problem with textured backgrounds or variations in color or luminosity. If you've used this tool before, you'll notice that it has shortcomings. Sample the clean area and then brush the hair to blend it with the background. Technique 1: Clone Stamp ToolĬlone Stamp is the obvious choice for removing hair in Adobe Photoshop. For the rest, use these three techniques. Having your subject well-groomed or using a hair stylist can be really helpful in reducing the amount of time and effort needed later. A lot of that comes from producing the shot properly in the first place, but the rest comes from good technique and application.

portrait retouching workflow

Retouching an image is supposed to be subtle enough that the viewer doesn't notice it. If you go too far, then you'll end up with "helmet hair" which often looks fake. As with any retouching, it's a balancing act of taste against need. There are three main techniques to tackle fly-aways while keeping the result natural-looking.

#Portrait retouching workflow free#

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Portrait retouching workflow